{"id":1595,"date":"2019-02-19T17:02:44","date_gmt":"2019-02-19T17:02:44","guid":{"rendered":"https:\/\/secausa.com\/?page_id=1595"},"modified":"2019-02-19T17:14:10","modified_gmt":"2019-02-19T17:14:10","slug":"dream-forest-in-depth","status":"publish","type":"page","link":"https:\/\/secausa.com\/?page_id=1595","title":{"rendered":"Dream Forest In Depth"},"content":{"rendered":"<div id=\"pl-1595\"  class=\"panel-layout\" ><div id=\"pg-1595-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-1595-0-0\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><div id=\"pgc-1595-0-1\"  class=\"panel-grid-cell panel-grid-cell-mobile-last\" ><div id=\"panel-1595-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3 style=\"text-align: center;\"><strong>DREAM FOREST IN DEPTH<\/strong><\/h3>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-1595-0-2\"  class=\"panel-grid-cell panel-grid-cell-empty\" ><\/div><\/div><div id=\"pg-1595-1\"  class=\"panel-grid panel-has-style\" ><div class=\"panel-row-style panel-row-style-for-1595-1\" ><div id=\"pgc-1595-1-0\"  class=\"panel-grid-cell\" ><div class=\"panel-cell-style panel-cell-style-for-1595-1-0\" ><div id=\"panel-1595-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"leftColumn\">\n<p>LeQuire sculpted&nbsp;<strong><em>Dream Forest<\/em><\/strong>, nine elongated, interpretive human torsos, assembled together on a colossal scale, with tree-like stature. In a darkened room, the viewer walks among the highlighted, 12-foot tall human torsos as if they are in a dream forest. To continue the exhibit and to help bring the forest into the room, LeQuire created 8-foot tall prints for the walls, woodblock prints on paper embossed with leaves and inked.<\/p>\n<p>LeQuire wrote about a series of dreams he had, and in collaboration with author, Madison Bell, edited them into narrative poetic forms which LeQuire incised in the sculpture, embedding them as part of the final surface texture.<\/p>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-1595-1-1\"  class=\"panel-grid-cell\" ><div class=\"panel-cell-style panel-cell-style-for-1595-1-1\" ><div id=\"panel-1595-1-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><em>\u201cAlan is a really original sculptor who has spent lot of his career doing commissions or half-commission work where it\u2019s negotiated with somebody else. This is his biggest, most significant work that comes out of his inner life,\u201d<\/em>&nbsp;Bell says,&nbsp;<em>\u201c<\/em>Dream Forest<em>&nbsp;is showing how our relationship with the natural world is the core of what makes us human.\u201d<\/em><\/p>\n<p>LeQuire sculpted&nbsp;<em>Dream Forest<\/em>&nbsp;directly in plaster and painting the figures for exhibit indoors. Ultimately, as the edition sells, the human\/tree forms will be cast in bronze.&nbsp;<strong>Read Artist\u2019s Statement<\/strong><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-1595-2\"  class=\"panel-grid panel-has-style\" ><div class=\"panel-row-style panel-row-style-for-1595-2\" ><div id=\"pgc-1595-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-1595-2-0-0\" class=\"so-panel widget widget_media_image panel-first-child panel-last-child\" data-index=\"3\" ><img loading=\"lazy\" decoding=\"async\" width=\"311\" height=\"500\" src=\"https:\/\/secausa.com\/wp-content\/uploads\/2019\/02\/1-6Forrest-e1550596436426.jpg\" class=\"image wp-image-1599  attachment-full size-full\" alt=\"\" style=\"max-width: 100%; height: auto;\" \/><\/div><\/div><div id=\"pgc-1595-2-1\"  class=\"panel-grid-cell\" ><div id=\"panel-1595-2-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"4\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p style=\"text-align: left;\"><div id=\"metaslider-id-1602\" style=\"width: 100%;\" class=\"ml-slider-3-98-0 metaslider metaslider-flex metaslider-1602 ml-slider ms-theme-default nav-hidden\" role=\"region\" aria-roledescription=\"Slideshow\" aria-label=\"Dream Forest\">\n    <div id=\"metaslider_container_1602\">\n        <div id=\"metaslider_1602\">\n            <ul class='slides'>\n                <li style=\"display: block; width: 100%;\" class=\"slide-1609 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-1609\" data-date=\"2019-02-19 17:07:29\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/secausa.com\/wp-content\/uploads\/2019\/02\/1Lg-4-0x0.jpg\" height=\"0\" width=\"0\" alt=\"\" class=\"slider-1602 slide-1609\" title=\"1Lg\" \/><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1610 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-1610\" data-date=\"2019-02-19 17:07:29\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/secausa.com\/wp-content\/uploads\/2019\/02\/2Lg-4-0x0.jpg\" height=\"0\" width=\"0\" alt=\"\" class=\"slider-1602 slide-1610\" title=\"2Lg\" \/><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1611 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-1611\" data-date=\"2019-02-19 17:07:29\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/secausa.com\/wp-content\/uploads\/2019\/02\/3Lg-4-0x0.jpg\" height=\"0\" width=\"0\" alt=\"\" class=\"slider-1602 slide-1611\" title=\"3Lg\" \/><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1612 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-1612\" data-date=\"2019-02-19 17:07:29\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/secausa.com\/wp-content\/uploads\/2019\/02\/4Lg-4-0x0.jpg\" height=\"0\" width=\"0\" alt=\"\" class=\"slider-1602 slide-1612\" title=\"4Lg\" \/><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1613 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-1613\" data-date=\"2019-02-19 17:07:29\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/secausa.com\/wp-content\/uploads\/2019\/02\/5Lg-4-0x0.jpg\" height=\"0\" width=\"0\" alt=\"\" class=\"slider-1602 slide-1613\" title=\"5Lg\" \/><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-1614 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-1614\" data-date=\"2019-02-19 17:07:29\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/secausa.com\/wp-content\/uploads\/2019\/02\/6Lg-4-0x0.jpg\" height=\"0\" width=\"0\" alt=\"\" class=\"slider-1602 slide-1614\" title=\"6Lg\" \/><\/li>\n            <\/ul>\n        <\/div>\n        \n    <\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-1595-3\"  class=\"panel-grid panel-has-style\" ><div class=\"panel-row-style panel-row-style-for-1595-3\" ><div id=\"pgc-1595-3-0\"  class=\"panel-grid-cell\" ><div class=\"panel-cell-style panel-cell-style-for-1595-3-0\" ><div id=\"panel-1595-3-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"5\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"leftColumn\">\n<p>I\u2019ve always liked working on a colossal scale<span class=\"emDash\">\u2014<\/span><em>Athena Parthenos<\/em>,&nbsp;<em>Musica<\/em><span class=\"emDash\">\u2014<\/span>this is my latest colossal project. It\u2019s different in that it is my own idea. There is no client. These pieces are modeled directly in plaster, but I hope some day to make them more permanent by casting them in bronze.<\/p>\n<p>My primary focus from the beginning has always been on form, using form as a language to communicate feeling. This is a further exploration of form, blending human and vegetal form with the deep emotion that comes from my personal dreamscape.<\/p>\n<p>I am a figurative sculptor to my core, and this is a big step for me because these are just torsos<span class=\"emDash\">\u2014<\/span>no heads<span class=\"emDash\">\u2014<\/span>and they\u2019re not very realistic. The challenge of&nbsp;<em>Dream Forest<\/em>&nbsp;is to make form by itself carry enough enlivened significance to animate the whole space, to make the forms retain as much emotional intensity as if they were realistic.<\/p>\n<p>I feel lucky to have grown up on a farm and to have had all the experiences I\u2019ve had outside and in the woods. This work is about my dreamscape, but it\u2019s also about the landscape. It\u2019s an ode to the disappearing forest ecosystem. These sculptures are like old growth trees in that they welcome and support us with a living presence.<\/p>\n<p>One of the wonderful things about dreams is that they often synthesize the disparate elements in your life. In my case this has happened again and again in a specific form, a three<span class=\"enDash\">-<\/span>dimensional object. The space between the forms is important and so is the scale. The form, the texture, and the spaces between all work together to convey a sense of the living presence in the sculpture.<\/p>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-1595-3-1\"  class=\"panel-grid-cell\" ><div class=\"panel-cell-style panel-cell-style-for-1595-3-1\" ><div id=\"panel-1595-3-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"6\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>The prints are a way to continue the exhibit and the experience onto the walls that enclose it. I\u2019m working with leaves and carved wooden blocks combining woodblock and collagraph printing techniques to make prints that are 8' tall and help bring the forest into the room.<\/p>\n<p>In dreams I\u2019ve examined surface texture in detail, and there are often layers of graffiti in the surface, much like the Elgin marbles in the British Museum and the casts of the Elgin marbles in Nashville, which have the ancient graffiti along with contemporary. A lot of ancient statues have graffiti on them. In talking over the project with Madison Bell, he offered to take our dream stories and try to condense them into useable narrations that I could incorporate into the texture. This is what I\u2019ve done in an attempt to convey more of the dream experience itself and to help the viewer penetrate into a more poetic realm.<\/p>\n<p>I think for all of us personal growth and transformation occurs first in our dreams before it occurs in waking life, and the sculptures in this exhibit document a personal transformation that has been taking place for years in my dream life. The earliest dreams that I remember had to do with colossal forms that were usually threatening or frightening, but lately these same forms have become anthropomorphic and more welcoming, nurturing... almost as if I am being visited by very supportive ancestors.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>DREAM FOREST IN DEPTH LeQuire sculpted&nbsp;Dream Forest, nine elongated, interpretive human torsos, assembled together on a colossal scale, with tree-like stature. In a darkened room, the viewer walks among the highlighted, 12-foot tall human torsos as if they are in &hellip; <a class=\"kt-excerpt-readmore more-link\" href=\"https:\/\/secausa.com\/?page_id=1595\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-1595","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/secausa.com\/index.php?rest_route=\/wp\/v2\/pages\/1595","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/secausa.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/secausa.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/secausa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/secausa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1595"}],"version-history":[{"count":13,"href":"https:\/\/secausa.com\/index.php?rest_route=\/wp\/v2\/pages\/1595\/revisions"}],"predecessor-version":[{"id":1623,"href":"https:\/\/secausa.com\/index.php?rest_route=\/wp\/v2\/pages\/1595\/revisions\/1623"}],"wp:attachment":[{"href":"https:\/\/secausa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1595"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}